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May 20th, 2012

Another feature that distinguishes the creative aspects of Web 2.0 from the former ‘read-only’ Web 1.0 is User Generated Content or UGC. Public Relations practitioners need to foster curators to develop creative content strategies that include visual elements from both the professional and user generated product. Studies indicate that the Web 2.0 professional clarifies the key message, while the user-generated element produces authenticity and an emotional intensity. “What we found was strong evidence of incremental benefit with exposure to both forms of media” said Frank Findley of comScore.  Featuring both forms of media on your website can result in public confidence in your content and trust in your key message.

Where can the Internet go from here? Information already travels at a viral pace (Giannakis 2010:82) and the amount of online traffic is growing at the same rate.   Search engines, the “translators between man and [device]” (Giannakis 2010:82) can only become faster and more powerful. Web 3.0 has the capability to identify web-based data so that searches can be more effective. Qualifying semantic information that is meaningful can only benefit public relations research and analysis. Public relations practitioners need to harness more creative control over social media content and smart technology. For when we combine all the creative elements that the World Wide Web has to offer the future is full of limitless possibilities.

References

Adobe Flash (2012). Viewed 13 May 2012. <http://www.adobe.com/software/flash/about/>

Content Marketing Institute (2012). Use professional or User-Generated Video? New Survey Says ‘Both’. Viewed 14 May 2012

<http://www.contentmarketinginstitute.com/2012/03/use-professional-or-user-generated-video-new-survey-says-both/>

Giannakis P (2011). Journalism 2.0: The business of news. Journal of Digital Research and Publishing

Graham P (nd). Definition: Web 2.0. Viewed 10 May 2012.

<http://www.paulgraham.com/web20.html>

Kaplan A M and Haenlein M (2010), Users of the world, unite!  The challenge and opportunities of Social Media.  Indiana University. US.

PC Magazine (2012). Definition: user-generated content. Viewed 14 May 2012.

<http://www.pcmag.com/encyclopedia_term/0,1237,t=user-generated+content&i=56171,00.asp>

w3schools (2010) AJAX Tutorial. Viewed May 14 2012. <http://www.w3schools.com/Ajax/Default.Asp>

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Baby on Board Signs | Trigon International Inc.

May 20th, 2012

Trigon is offering custom printed Baby on Board signs with an average turnaround time of  10 working days  (Plus shipping).  The Baby on Board signs measure 5” x 5” and are available with spot print or 4-color process in both suction cup or white vinyl static cling face in quantities of 250 pieces or more.  The Baby on Board signs are great for public relations, and are also popular with health centres, hospitals and pediatric concerns.

5” x 5” spot colour static cling Baby on Board Decal on white vinyl printed with two spot colours.

Baby on Board

5” x 5” x .040 White Styrene Baby on board Sign with suction cup printed with two spot colours.  This example was presented to motorists entering into the Gros Morne National Park in Newfoundland, as part of their gate pass entry package, to remind fellow motorists to watch for animals on the road and was a great success.

Baby on Board Sign

5” x 5” White Styrene Baby on Board Sign with suction cup with a 4-color process imprint.

Baby on Board sign

The Baby on Board signs are available with full bleed.   Optional assembly of suction cup is available. Otherwise they are shipped separately.    Free electronic proof.

Call our Calgary Representative for a quotation on this, or any of our promotional products. Don’t forget to check our idea bank for many more promotional gift ideas. We still provide prompt one-on-one service.

Use the search function at the top-right of screen to find products of interest.



Trigon International Inc.

Business to Business Only – No Retail – No Agents or Distributors

Canada – USA


Closed Evenings & Weekends

Phone – 403-219-8108
 Email




Parker Pens | Victorinox Swiss Knives | Cross Pens  | Maglite



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define a scope with static relation – Yii … – The Static Public Relations

May 17th, 2012
Hi softark, Hi yugene,

at first, thanks for your replies. I’ve checked out your links and tried all proposals, but without success. Your wiki, softark, is very nice and helpful written. I tried to realize your hint generating a public variable for my ‘average_rating’, but I couldn’t take it in a scope.
For me its important, to have scopes for many use cases in my business processes.
By the way: Do I have well-understood, that a scope make my Model-Array smaler and smaler?
Eg:
User::model()->findAll() ==> 500 Users found,
User::model()->firstScope() ==> 100 Users found,
User::model()->firstScope()->secondScope() ==> 50 Users found

If my understanding is correct, how can I realize this SQL in a scope:

 SELECT u.* from tbl_user u where (u.id NOT IN (SELECT u2.id FROM tbl_user u2
	INNER JOIN
		(SELECT v.user_id, AVG(rating) FROM
			(SELECT * FROM tbl_video WHERE status_id = 3) AS v
 	   WHERE (rating >= 9) GROUP BY user_id) AS avg
	ON (u2.id = avg.user_id)))
 

For every user a calculated average rating, with a minimal rating of 9. I think the subquery in the INNER JOIN is the problem, how can I form this in a scope?

Thanks in advance and greetz
badi

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define a scope with static relation – Yii Framework Forum

May 14th, 2012
Hi softark, Hi yugene,

at first, thanks for your replies. I’ve checked out your links and tried all proposals, but without success. Your wiki, softark, is very nice and helpful written. I tried to realize your hint generating a public variable for my ‘average_rating’, but I couldn’t take it in a scope.
For me its important, to have scopes for many use cases in my business processes.
By the way: Do I have well-understood, that a scope make my Model-Array smaler and smaler?
Eg:
User::model()->findAll() ==> 500 Users found,
User::model()->firstScope() ==> 100 Users found,
User::model()->firstScope()->secondScope() ==> 50 Users found

If my understanding is correct, how can I realize this SQL in a scope:

 SELECT u.* from tbl_user u where (u.id NOT IN (SELECT u2.id FROM tbl_user u2
	INNER JOIN
		(SELECT v.user_id, AVG(rating) FROM
			(SELECT * FROM tbl_video WHERE status_id = 3) AS v
 	   WHERE (rating >= 9) GROUP BY user_id) AS avg
	ON (u2.id = avg.user_id)))
 

For every user a calculated average rating, with a minimal rating of 9. I think the subquery in the INNER JOIN is the problem, how can I form this in a scope?

Thanks in advance and greetz
badi

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Second video showoff of my new static for PR | The Static Public …

May 11th, 2012

First of all, sorry for those Guns and Roses for those of you who dont like them :D . Second, you can see im kind of struglin to get inside, but thats because i cant figure out how crouch in editor and its hard to get in while prone, other than that the ramp works normally. There are some lightmap errors on those LODs, might require custom lightmaps?

See original: Second video showoff of my new static for PR









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Meet the Media: Q&A with Ryan Budnick, KMGH-TV | Xstatic PR …

May 8th, 2012

One of the most exciting and rewarding parts of public relations is the opportunity to work with the media. In the past, we’ve shared insight from local and national journalists through our “Meet the Media” blog posts. I am incredibly excited to bring back Meet the Media in 2012, and look forward to helping you get to know the people who produce the news you consume every day.

Our first Meet the Media post of 2012 features Ryan Budnick, content producer for Denver’s ABC affiliate, KMGH-TV. Ryan wears many hats for 7 News, and shares his take on the ever-changing TV news landscape, what’s newsworthy and PR pet peeves. When he’s not working (which isn’t often), Ryan is most likely mountain biking, rock climbing or enjoying the outdoors with his pup, Lucy.

Ryan on an outdoor adventure with his dog Lucy

Xstatic PR: You began your career in newspaper. What path did you take to now being content producer for KMGH-TV in Denver?
Ryan Budnick:  It purely was by accident. I was a newspaper reporter when I left Washington State (University) and moved to Denver. I started working at Channel 2 as an assignment editor, and have had various titles and duties over the years.

Traditional roles in a newsroom are becoming more nebulous. We are expected to perform various tasks including assigning crews, writing stories, picking up a camera and shooting and editing a story, or doing research and producing a segment. And, that can all be in the same day.

X:  So, clearly, in your role, you don’t just sit behind a desk all day and take calls. What are all the ways you gather stories?
RB:  When I began in journalism, it was the nascent days of the Internet. Hardly anybody had wireless phones and social media wasn’t even an idea yet. So much has changed.

Things I didn’t even use three years ago like social media feeds and deep Internet searches are important staples of how I dig for stories. But, that isn’t to say the new ways are better. I get more reliable information from connections I’ve cultivated the old-fashioned way, by work, time and trust.

X:  What are the biggest changes in TV news over the last several years?
RB:  I think the biggest change is that it really isn’t TV news any longer. TV is just one of several formats KMGH uses to disseminate its product.

Many outlets break news on social media now, something unheard of just a couple of years ago. I think you’re seeing the change of how newsrooms are adapting to a new form of journalism driven by the reader or viewer. Content is key and people are given many, many ways to access content and pick and choose what they consume.

X:  What has been the most memorable news story you’ve ever been involved in covering?
RB:  It’s funny, but after 15 years in journalism, a lot of them begin to blend together. As a journalist, the stories that left the biggest impressions are those with people overcoming the odds. I think being around people like that has made me want to be a better person, even in the role of impartial journalist.

X: In Channel 7’s eyes, what is news? 
RB:  Something that is unique, hard-hitting and gets answers to the tough questions. That is the tenor our newsroom has adopted for quite some time now. There is a large emphasis on investigative pieces.

X:  You’ve said when you take a couple days off, you often come back to more than 1,300 emails. Which pitches get your attention?
RB:  You should think of the subject line as a headline with the goal of drawing the reader in. Given the amount of traffic you are contending with, that can be one of the biggest determining factors to whether your pitch even gets read. Also a strong working relationship with a journalist goes a long way. If I have had a good experience with a PR person in the past, I will read their emails right away.

X:  What’s your biggest PR pet peeve?
RB:  Not coming prepared. That covers a lot of ground, but when reps don’t know the basics, such as how many news broadcasts we have and when they run, or how often a paper gets published and when, you’ve ruined your initial impression with that journalist or newsroom.

X:  What do you wish more PR people knew about TV news and how the newsroom works?
RB:  I find the most successful PR people have spent some time in journalism, either as a professional or as an intern. Newsrooms are microcosms onto themselves. Each one is different, but we all basically follow the same parameters. If a PR person wants to really be efficient, find out when the newsroom meetings are held during the day. Information like that can be a very powerful tool in the right hands.

X:  You’re a big outdoorsman. What’s on the agenda this spring/summer?
RB:  Hoping to get in more mountain biking and rock climbing than in the past few years. Other than that, staying injury free and collecting as many memories of great outings and sunsets as possible.

-Stacey Sepp

This entry was posted
on Wednesday, April 4th, 2012 at 12:33 pm and is filed under Hot Topics/Cool Tips.
You can follow any responses to this entry through the RSS 2.0 feed.

You can leave a response, or trackback from your own site.

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Season 4 of Leverage Coming Soon to DVD | Static Multimedia

May 8th, 2012

Experience All the Drama with Exclusive DVD Extras July 17th

TNT’s high-octane original series, Leverage delivers more thrills when Season Four arrives on DVD July 17 from Twentieth Century Fox Home Entertainment. Everyone’s favorite gang of thieves, grifters and con artists is back and ready to help innocent victims by catching the bad guys. Featuring a superb ensemble cast including Timothy Hutton, Gina Bellman, Christian Kane, Beth Riesgraf and Aldis Hodge, LEVERAGE Season Four is a must-own on DVD, loaded with tons of explosive extras and never-before-seen footage.

In Season Four of Leverage, the team faces bigger challenges than ever before. Along with navigating Nate’s struggle with his inner demons, the team must deal with an overzealous public relations expert (guest star Michael Gladis); a millionaire who pays to have himself moved up on a heart-transplant waiting list; a woman who profits from people’s grief through a funeral scam; a corrupt agriculture corporation out to bury potato farmers; and a group trying to kill a World War II veteran (guest star Danny Glover). With the addition of their nemesis, insurance-investigator-turned-InterPOL-agent Jim Sterling (guest star Mark Sheppard) and an unknown spy who could unravel their whole operation, the team must tread carefully to complete their most difficult jobs.

Leverage premiered in 2008 and has become one of cable’s biggest hits. The show’s fourth season averaged 4.3 million viewers, with 1.7 million adults 18-49 and 1.6 million adults 25-54.

Leverage is executive-produced by Dean Devlin (Independence Day, TNT’s The Librarian movie series) and creators John Rogers (Transformers) and Chris Downey (The King of Queens). The series is produced for TNT by Devlin’s Electric Entertainment.

DVD SPECIAL FEATURES:
● Audio Commentaries on All Episodes
● Behind the Scenes of The Long Job Down
● Writers’ Room Job
● Deleted Scenes from
- “The Long Job Down”
- “The Grave Danger Job”
- “The Experimental Job”
- “The Girls’ Night Out Job”
- “The Boys’ Night Out Job”
- “The Last Dam Job”
● Gag Reel

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Second video showoff of my new static for PR

April 26th, 2012

First of all, sorry for those Guns and Roses for those of you who dont like them :D . Second, you can see im kind of struglin to get inside, but thats because i cant figure out how crouch in editor and its hard to get in while prone, other than that the ramp works normally. There are some lightmap errors on those LODs, might require custom lightmaps?

Posted in Videos | No Comments »


Meet the Media: Q&A with Ryan Budnick, KMGH-TV | Xstatic PR …

April 26th, 2012

One of the most exciting and rewarding parts of public relations is the opportunity to work with the media. In the past, we’ve shared insight from local and national journalists through our “Meet the Media” blog posts. I am incredibly excited to bring back Meet the Media in 2012, and look forward to helping you get to know the people who produce the news you consume every day.

Our first Meet the Media post of 2012 features Ryan Budnick, content producer for Denver’s ABC affiliate, KMGH-TV. Ryan wears many hats for 7 News, and shares his take on the ever-changing TV news landscape, what’s newsworthy and PR pet peeves. When he’s not working (which isn’t often), Ryan is most likely mountain biking, rock climbing or enjoying the outdoors with his pup, Lucy.

Ryan on an outdoor adventure with his dog Lucy

Xstatic PR: You began your career in newspaper. What path did you take to now being content producer for KMGH-TV in Denver?
Ryan Budnick:  It purely was by accident. I was a newspaper reporter when I left Washington State (University) and moved to Denver. I started working at Channel 2 as an assignment editor, and have had various titles and duties over the years.

Traditional roles in a newsroom are becoming more nebulous. We are expected to perform various tasks including assigning crews, writing stories, picking up a camera and shooting and editing a story, or doing research and producing a segment. And, that can all be in the same day.

X:  So, clearly, in your role, you don’t just sit behind a desk all day and take calls. What are all the ways you gather stories?
RB:  When I began in journalism, it was the nascent days of the Internet. Hardly anybody had wireless phones and social media wasn’t even an idea yet. So much has changed.

Things I didn’t even use three years ago like social media feeds and deep Internet searches are important staples of how I dig for stories. But, that isn’t to say the new ways are better. I get more reliable information from connections I’ve cultivated the old-fashioned way, by work, time and trust.

X:  What are the biggest changes in TV news over the last several years?
RB:  I think the biggest change is that it really isn’t TV news any longer. TV is just one of several formats KMGH uses to disseminate its product.

Many outlets break news on social media now, something unheard of just a couple of years ago. I think you’re seeing the change of how newsrooms are adapting to a new form of journalism driven by the reader or viewer. Content is key and people are given many, many ways to access content and pick and choose what they consume.

X:  What has been the most memorable news story you’ve ever been involved in covering?
RB:  It’s funny, but after 15 years in journalism, a lot of them begin to blend together. As a journalist, the stories that left the biggest impressions are those with people overcoming the odds. I think being around people like that has made me want to be a better person, even in the role of impartial journalist.

X: In Channel 7’s eyes, what is news? 
RB:  Something that is unique, hard-hitting and gets answers to the tough questions. That is the tenor our newsroom has adopted for quite some time now. There is a large emphasis on investigative pieces.

X:  You’ve said when you take a couple days off, you often come back to more than 1,300 emails. Which pitches get your attention?
RB:  You should think of the subject line as a headline with the goal of drawing the reader in. Given the amount of traffic you are contending with, that can be one of the biggest determining factors to whether your pitch even gets read. Also a strong working relationship with a journalist goes a long way. If I have had a good experience with a PR person in the past, I will read their emails right away.

X:  What’s your biggest PR pet peeve?
RB:  Not coming prepared. That covers a lot of ground, but when reps don’t know the basics, such as how many news broadcasts we have and when they run, or how often a paper gets published and when, you’ve ruined your initial impression with that journalist or newsroom.

X:  What do you wish more PR people knew about TV news and how the newsroom works?
RB:  I find the most successful PR people have spent some time in journalism, either as a professional or as an intern. Newsrooms are microcosms onto themselves. Each one is different, but we all basically follow the same parameters. If a PR person wants to really be efficient, find out when the newsroom meetings are held during the day. Information like that can be a very powerful tool in the right hands.

X:  You’re a big outdoorsman. What’s on the agenda this spring/summer?
RB:  Hoping to get in more mountain biking and rock climbing than in the past few years. Other than that, staying injury free and collecting as many memories of great outings and sunsets as possible.

-Stacey Sepp

This entry was posted
on Wednesday, April 4th, 2012 at 12:33 pm and is filed under Hot Topics/Cool Tips.
You can follow any responses to this entry through the RSS 2.0 feed.

You can leave a response, or trackback from your own site.

Posted in Information | No Comments »


More on DRM and ebooks – Charlie's Diary

April 26th, 2012


After I recommended that the major publishers drop mandatory DRM from their ebook products, I realized that my essay had elided a bunch of steps in my thinking, and needed to reconsider some points. Then I realized that it’s not a simple, straightforward argument to make. Consequently, I ended up writing another essay, although I’ve tried to summarize my conclusions below.

First, my conclusions:

1. The rapid current pace of change in the electronic publishing sector is driven by the consumer electronics and internet industry. It’s impossible to make long term publishing plans (3-10 years) without understanding these other industries and the priorities of their players. It is important to note that the CE industry relies on selling consumers new gadgets every 1-3 years. And it is through their gadgets that readers experience the books we sell them. Where is the CE industry taking us?

2. Dropping DRM across all of Macmillans products will not have immediate, global, positive effects on revenue in the same way that introducing the agency model did …

3. However, relaxing the requirement for DRM across some of Macmillans brands will have very positive public relations consequences among certain customer demographics, notably genre readers who buy large numbers of books (and who, while a minority in absolute numbers, are a disproportionate source of support for the midlist).

4. Longer term, removing the requirement for DRM will lower the barrier to entry in ebook retail, allowing smaller retailers (such as Powells) to compete effectively with the current major incumbents. This will encourage diversity in the retail sector, force the current incumbents to interoperate with other supply sources (or face an exodus of consumers), and undermine the tendency towards oligopoly. This will, in the long term, undermine the leverage the large vendors currently have in negotiating discount terms with publishers while improving the state of midlist sales.

Now the details:

1. Anticipating the future of ebook reading technology

(Background note: I have a computer science degree from 1991, which is a bit like having an aeronautical engineering degree from 1927. But I’ve spent a chunk of time working as a computer journalist, and I try to keep up to date.)

First, a note on the changing technology. The consumer electronics industry relies on selling everybody shiny new devices every 12-24 months for their revenue. Margins are narrow and R&D costs are high. They also have an interest in maintaining a floor under the price of their products by adding new features to justify the upgrade treadmill, because thanks to Moore’s Law, the electronics sector is trapped in a permanent deflationary cycle. So I believe that any forward-looking publishing strategy needs to consider the impact of this endless device churn on consumers, and their likely response.

Because the devices our consumers own mediate their experience of the ebooks we sell them.

First, the hardware:

It’s my belief that today’s e-ink ebook readers are doomed to obsolescence within a short period — 2-3 years possibly, 5 years probably. This is because the power consumption of LCD displays is dropping and their quality is rising. e-ink devices are inherently incapable of displaying video, are lousy as web browsers due to the screen refresh time, and if you use them to play audio or do any intensive processing (such as running apps) their battery life drops towards that of a regular LCD-equipped tablet. They’re essentially single-purpose devices, competing in a market with general-purpose devices. Their only advantages are battery life and readability in direct sunlight, both of which are under threat. So it’s my belief that general purpose tablets (and big-screen smartphones) will drive e-ink readers out of the mass market within 2-5 years, just as smartphones killed off your 2003 Palm Pilot.

Secondly, the software:

The two current tablet/smartphone market incumbents are iOS (Apple) and Android (Google). (Microsoft is making a come-back attempt with Windows 8 Mobile, but is fighting an uphill battle.) These are essentially competing software platforms, like MacOS and Windows in the late 1980s. However, just five years ago, none of these platforms existed; the market was dominated by PalmOS, Symbian, and Microsoft’s dead PocketPC platform. I therefore conclude that it is a really bad idea to make assumptions about the devices customers will own in even 3 years’ time.

In the tablet/smartphone world, DRM is supported at the application level. B&N (Nook), Amazon (Kindle), and Adobe all provide readers that run on incompatible DRM standards. Even when the file format is the same (ePub) the DRM prevents files from, say, the Adobe Digital Editions system from being read by a rival’s reader.

In the absence of DRM it is trivially easy to convert ebooks between file formats — as easy as opening a word processor file on a different machine, if not easier. Amazon’s continued use of a non-epub file format on the Kindle platform does not mean that Amazon could not, very rapidly, shift to supporting epub files; all that would be needed would be a software update pushed to their Kindle customers’ readers. In fact, Amazon acquired a software company specializing in epub reader software — Lexcycle — in 2009.

The main effect of DRM, from a platform vendor’s perspective, is to lock end-users into their platform in perpetuity. (Amazon, as both a retailer and a platform vendor, has leveraged this very effectively to give their retail channel a whip hand.)

2. Which sectors will respond positively to less DRM

Macmillan sells a variety of products (trade and mass market, audio, ebooks and paper books) into a variety of wholesale and retail channels, who in turn sell the products to the reading public.

The reading public is not a monolith, and the products Macmillan sells are dissimilar. Some books are unique and non-interchangeable, while others are treated as an undifferentiated commodity by their consumers. One large customer segment buy 1-5 books a year, usually bestsellers for recreational vacation reading. At the opposite end of the scale, 20% or fewer buy 20-150 books a year, typically midlist titles. The former group supplies mass sales, but the latter group supports the midlist and supplies diversity. A one-size-fits-all approach to the reading public is therefore unlikely to satisfy everyone.

For example, the 1-5 bestsellers-a-year people: previously they bought from airport bookstores and WalMart, to read once then discard; we expect them in future to buy ebooks to read once then discard. They will probably use a work-issue tablet or smartphone running a free Kindle or Nook app, rather than buying a special-purpose e-reader, and delete their books after reading. They couldn’t care less about DRM. They will probably stick to one well-known online retail supplier. You are absolutely right about there being no benefit from dropping DRM in this sector.

3. Who gains? And why?

The voracious 20-150 books/year readers are a small but significant market segment.

These people buy lots of titles. They frequently have specialized interests which they pursue in depth, and a large number of authors who, although not prominent, they will buy everything by. They frequently re-read books, and they are disproportionately influential on other customers because they enthuse about what they’ve read. They’re particularly common in genre fiction. Previously they bought paperbacks and hardcovers from specialist genre bookstores or, failing that, from large B&N/Borders branches. They will go to whatever retailer they can find online, and they find DRM a royal pain in the ass — indeed, a deterrent to buying ebooks at all.

There is a pervasive assumption that ebooks are disposable literature. But to the voracious readers, this is not the case. Currently it’s hard for many people to build up collections of books due to space constraints — nevertheless I know many SF fans (of the kind who read 50-150 books a year) who have turned their homes into libraries. They will be the tip of an iceberg once ebooks become mainstream; why discard an ebook when you can file it and come back to it in 10 years’ time and it takes up no space?

For such people, filing and tagging their collections is a major issue. And so is portability. It’s true that if they own an iPad they can have an iBooks app full of books purchased from Apple, and a Kindle app full of books from Amazon, and a Nook app full of books from B&N. But those apps are, thanks to DRM, data silos — you can’t cross-check to see if you bought book 3 in a series from Apple and book 5 from Amazon without a lot of fiddling around.

Platforms age and die. This summer, Microsoft is turning off the DRM servers for Microsoft Reader. This means that people who bought Microsoft Reader ebooks over the decade since 2002 now find that their ebooks are trapped inside a rapidly ageing, obsolescent slab of plastic and glass. In another 5-10 years, 95% of those books will be unreadable because the machines they’re locked into were designed by a CE industry obsessed with the 2-3 year upgrade cycle — they’re not durable. This is actually one psychological driver for piracy — people who have paid for a book resent being expected to pay for it again due to an arbitrary-seeming lock-in onto an aging piece of hardware. From their point of view, honesty is being punished.

There is no guarantee that B&N will stay in business, or that Amazon won’t discontinue support for older Kindle files, in the not too distant future. This is something that the hardcore readers cannot help but be aware of, because it has already bitten them in the past, if they bought a Zune, or a Palm Pilot, or any number of other devices.

If Macmillan drop DRM on ebooks typically bought by these people, it sends a signal: “you can continue to read these ebooks in future using whatever platform you want”. Converting a DRM-free ebook between ePub and Amazon’s Kindle format, or any other current ebook format, is as easy as saving a Microsoft Word document in Rich Text Format, or as a web page: there’s an app for that. Moreover, all the DRM-equipped reading platforms support importing non-DRM’d ebooks.

So, from the point of view of a particular subset of Macmillan’s customers — the hard core genre audience who read many, many books — removing DRM would be a major benefit and would probably generate immense goodwill.

(This is leaving aside the point that, if a trend towards relaxing DRM becomes established — as happened in 2009 in the music download industry — the first mover will reap considerable public relations benefits and news coverage in the short term.)

But is there a business case for doing so?

4. Effects of removing DRM on the supply chain

(Firstly, I’d like to note that the Macmillan experience with dropping the mandatory requirement for DRM on audio books can’t be taken as a useful indicator. The main retailers of audio books, Apple and Audible, refuse to ship DRM-free audio books. Therefore DRM-free audio books remained essentially unavailable to the public.)

The main effect of DRM on the supply chain is that a consumer who buys DRM-locked content is locked into the supplier who supports that type of DRM. A non-casual reader with a couple of hundred ebooks on their Kindle can’t easily leave the Kindle walled garden. (I emphasize, DRM is the only thing that keeps them there: converting Kindle ebooks to ePub is trivially easy in the absence of DRM.)

This situation plays to the benefit of the largest incumbents in the retail sector. Currently we have gone from a near-monopoly by Amazon to a near-cartel among Amazon, B&N, and Apple. The independent bookseller sector is struggling to deal with ebooks.

It’s instructive to take a look at how the independent retailers are failing to cope. Powell’s have a large online store, and are quite successful with paper products. However, if you want to buy ebooks from them, they offer you a menu of DRM silos — Adobe Digital Editions, Google Ebooks, and so on. If you want to buy ebooks from Powell’s, you have to grapple with registering your device with them, so that the ebooks can be locked to your reader. This forces customers to jump through a bunch of technological flaming hoops; it’s easier for them to give up and point their web browsers at Amazon or B&N instead. And the results have been so poor that Google seems to be withdrawing from the retail market, at least to the extent of giving notice to quit to their larger retail affiliates (Powell’s included).

If Macmillan titles did not have DRM, then customers would find it much easier to buy books from independent retailers like Powell’s — or other small bookstores. DRM-free ebooks can be imported easily into whatever ebook reading device a reader already possesses. It will then be possible for bricks and mortar retailers and small online retailers to get a toe in the door and sell ebooks competitively. In short, it will lower barriers to entry into the retail supply chain, which in the long term is advantageous to publishers.

Another angle is that dropping DRM gives readers some assurance that their ebooks will remain accessible, even if they change reading devices and apps multiple times over the next decade. It also allows them to merge ebooks from different sources into a single collection, simplifying their reading experience, and to confidently purchase from smaller retail outlets.

As noted earlier, consumers change e-reader devices frequently. Within 5 years we will be seeing a radically different electronic landscape. Unlocking the readers’ book collections will force Amazon and B&N and their future competitors to support migration (if they want to compete for each others’ customers). So hopefully it will promote the transition from the near-monopoly we had before the agency model, via the oligopoly we have today, to a truly competitive retail market that also supports midlist sales.

(Why this will support the midlist: currently Amazon have swamped the midlist among ebooks in a sea of self-published rubbish. It’s impossible to find anything worth reading in the Kindle store that isn’t a very obvious bestseller. This offers an opportunity for specialist bookstores to offer a curatorial role. I believe the voracious genre consumers are picky enough about what they read that they dislike Amazon’s slushpile approach, and will preferentially shop in better organized outlets.)

Other thoughts

I don’t expect dropping mandatory DRM to have an immediate positive impact on sales. However, it will permit small retailers to compete and specialize in a market they are currently locked out of by network externalities. Right now, there is a window of opportunity for smaller resellers: Amazon’s inclusion of masses of self-published material in the Kindle store has made it impossible for heavy consumers to browse it effectively. Smaller bookstores may be able to gain a strategic edge by curating their content, providing quality control on reviews, and other tactics we can’t predict at this time. This is, I emphasize, speculative — but I believe saving the smaller resellers is key to diversity in the retail side of the market, and will further support the midlist (which is threatened right now by plummeting mass market sales and the difficulty authors experience in reaching their audience).

To the extent that piracy is an issue, I think the horse is well and truly out of the stable and over the horizon; bolting the stable door and adding chains and padlocks hasn’t worked to date, either in print publishing or in music and film publishing. However, I would recommend considering a switch to watermarking. Watermarking doesn’t prevent copying, but makes the original source of a copied file easy to find, which is a deterrent to piracy. This appears to be the current best practice in the music industry (in the iTunes store, all music downloads are watermarked), and they’re a few years further into the era of internet distribution than we are.

Dropping DRM is probably not going to have a significant effect on the bestsellers, but I will note that J. K. Rowling’s move into ebook territory is DRM free; presumably the rampant levels of piracy around her work was seen as a pre-existing condition, and anything that might convert pirate readers into paying customers was seen as giving Pottermore an edge.

Finally, if going DRM-free is a trend, it may be to Macmillan’s advantage to be seen to be a front-runner. Removing the requirement for DRM from specialist imprints marketing primarily to the voracious genre readers would be a useful experimental step: I will confess to a personal bias here, but I’d love it if Tor was allowed to sell my novels unencumbered by DRM — I could personally use that as a strong marketing angle. (Like many younger writers, my major point of contact with my readers is my blog — I typically get 12-14,000 readers per day, and provide them with a community for discussing my work and asking me questions — based on direct feedback I’m fairly certain that dropping DRM would allow me to generate additional ebook sales and point my readers at a more diverse range of retailers.)

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